The Winterthur Collection has many fantastic historical clothing and accessory catalogs. Here's the best from 1850-1919
Mini hats are a great, fun accompaniment to an ensemble and an adorable way to use up extra fabric. Lisa shows us how to block and decorate a mini tricorn.
Lace fabric makes dazzling headwear for many historical periods. Here are several projects that use lace fabric to its full advantage.
Lynn finds out whether several tools and machines are worth the money, or whether they just make a simple job more complicated.
The chaperon was a popular men's hat in mid-15th century Europe. Constance introduces her interpretation of this iconic medieval style of headwear.
Linen caps and coifs are a common element in women's, and men's, wardrobes in the 16th century. Trystan shows us how to make a wired, Elizabethan version.
Frances' Tudor hoods and hair are her crowning glory. Julia shows us how she created the classic Marian style hood and frontispiece of the mid-16th century.
There are many Tudor dresses of 1530 and later on the re-enactors' circuit, but few earlier ones. Let's go back to 1510 and do something different!
In this final part of the series, we will complete the skirt to the gown and the hood and see Mistress Etty in her completed gown at Kentwell.
Theories and new ideas on how French Hoods were likely constructed 1530-60, and their evolution afterwards.
Making 18th century hats out of modern placemats? What about the crown? Here's how to add a soft silk crown, and a buckram option too.
The bergere hat looks terrific on everyone. Chantal walks us through making a perfectly lovely one from a placemat, of all things!
The calash bonnet is one of the most intriguing 18th century accessories. Serena makes a historically accurate example.
During the Regency many women wore hats designed after early C19th military styles. Here's how to make the distinctive pompoms.
The bonnet is the iconic accessory of the early nineteenth century: Serena shares how to construct a Close Bonnet of c.1810.
Reproduce authentic looking turban headdresses - as well as the beautiful ornamental pins that were used to secure and decorate them.
My passion for Ostrich plumes started when I saw the opening credits of the 1997 movie Wings of the Dove.
Where do such plumes come from?
How do milliners fabricate them and can I create such confections?
These are all questions I asked myself then, and they led me on a course of study and experimentation. In this article I will share some of what I have learned along the way.
or My hat looks like it has a dead fish on top because the bow just lies there! How can I fix that?
One of the most often used decorative elements on late Victorian and Edwardian hats were bows and ribbon loops.
To a non-milliner, trying to recreate some of these fantastic hats may seem a daunting task. Here are some tricks that simplify things.