Your Wardrobe Unlock'd

The Costume Maker's Companion

perfectfitsmall2.jpgperfectfitsmall.jpgPassionate about historical clothing


This unique website updates monthly with at least SEVEN
new Masterclasses and articles about fine costume making.

Most of our content is original and unavailable anywhere else, written by the best sewing hands and minds working across the globe today.

We also unearth the most relevant sections of rare period books, allowing you an apprenticeship directly with the Victorian experts.

We have a private forum too, in which we can discuss our home sewing and our professional trade secrets in a safe environment. Read more here!

New Masterclasses and Articles ~ July 2009

Don't forget - new content for August will be published a week early, on Friday July 24th!



Reconstructing Late Victorian Tailoring Techniques - Part III by Jason MacLochlainn PDF Print E-mail

Degas, The Cotton Factory, 1873, detailHere we are, at the third instalment of our Masterclass. I apologize for the momentary pause in our series, as I had not anticipated the lack of available men's patterns to play a factor in delaying our progress. In response, I have drafted an exclusive set of patterns for YWU members, and will show you how to get the best out of them.

You'll even find details within of an exclusive offer for YWU members to order bespoke, hand drafted patterns directly from me at a hefty discount!

 

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Reconstructing The French Hood by Sarah Lorraine PDF Print E-mail

Elizabeth, Lady Audley, by Hans Holbein the YoungerThe widespread use of French Hoods amongst the middle and upper classes of 16th century England is a surprisingly static phenomenon.

Even as clothing styles changed with relative fluidity throughout the century, the constant favor that the French Hood had found allows us to examine its progression of style in a much more comprehensive manner.

I offer my theories in addition to positing new ideas as to how French Hoods were likely constructed between the years of 1530 and 1560, as well as how they evolved after their heyday had passed.

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Excerpt from "What to wear?" by Elizabeth Stuart Phelps, 1873 PDF Print E-mail

Reform_iconThis month we feature excerpts from a pro-dress reform book written in 1873. Mrs. Stuart Phelps did not lack for enthusiasm in her distaste for the styles of the day, considering them utterly impratical and accusing them of hindering women in their advancement towards equality with men.

Burn up the corsets! Make a bonfire of the cruel steel that has lorded it over the contents of the abdomen and thorax so many thoughtless years, and heave a sigh of relief; for your "emancipation," I assure you, has from this moment begun.

 

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Interview: Kass McGann PDF Print E-mail
Kass McGann

Kass McGann has lectured on the subject of historical clothing on three continents, publishing articles on specific items of historic dress as well as how-to guides for reenactors.

Unlike many costume historians who describe what clothing of a certain period looks like, Kass seeks to understand how it was made. Her business, Reconstructing History, makes this information available worldwide with an extensive line of historical dressmaker patterns that are exacting in historical detail and include copious notes of interest and simple directions.

Kass talks to us this month about where her obsession came from, where she intends to take it, and how she deals with projects that won't behave themselves!

 

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Dressing the Victorian Head: A Brief History of Hairstyles from 1835-1899, by Ginger Breo PDF Print E-mail

Evelyn Nesbit, 1901Nowadays, in the era of rubber bands and ionic hairdryers, a woman's hair is frequently a momentary affair: wash, dry, stick it in a ponytail and go. The entire process can last no more than a half-an-hour, and for short-haired women it is even less.

For the Victorian woman, however, hair was not just an inconvenience or an afterthought: it was practically a religion...

 

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Health and Safety in the Sewing Room, Part I PDF Print E-mail

Henriette Browne, Mother and ChildThis might be the most important article you ever read in YWU.

Any hobby or occupation that you indulge in regularly for a large proportion of your lifetime can have implications for your health.

Forewarned is forearmed, however, so this month we start a  series of advice from our pool of experts on Health and Safety in the Sewing Room.

Suzi Clarke, Cathy Hay and Laurie Tavan dish out some great pointers to help you avoid and manage any potential ill effects.

 

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Ask the Experts: July 2009 PDF Print E-mail

Anna Elizabeth Dickinson, photographed by Brady-HandyThis month we have a special edition of Ask the Experts devoted to your questions about the Single Pattern Project '09.

You've seen lots of how-tos now - the in-depth analyses from Sunny, Cathy's run-down of the possibilities and the rules, trimmings ideas from Gina, Ginger's petticoat, and so on - and the deadline for your entry is less than three months away.

We have two important questions: how do you finish the hem, and how does one wear the finished outfit?

Submit your questions now on the "Ask a question" page for next month's column!

 

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Oh, my goodness, only my first few weeks as a subscriber and I am wowed by the wealth of detailed content. The single pattern series is superb, for example. I look forward to my stolen moments away from work and children to devour articles.

Very best,  Natalie (Kentucky, USA)

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